“Omotetia del paesaggio” is the graphic synthesis of a universal concept suggested by nature, formally expressed through the processing of geospatial data that describes landscape morphology. An explicitly inorganic element, the pen plotter, participates in the creative process, crystallizing the concept into physical, analog artworks, suggesting how a machine can convey the same formal and conceptual language as nature. “Omotetia del paesaggio” calls for a conscious, multi-scalar perspective to perceive the existence of a unique, eternal, and ancestral formal code that defines everything, thereby affirming the declared complementarity between human, machine, and nature as an archetype of efficiency.