E.M.S. ELECTROMAGNETIC SOUNDSCAPE

E.M.S. investigates the intersection of technology and nature by capturing and visualizing the imperceptible electromagnetic waves emitted by electronic devices. These invisible signals, typically beyond human perception, are made audible through an electromagnetic field detector and then processed by a generative algorithm that translates them into a visual representation. The final composition, plotted onto paper using a pen plotter, reveals an organic morphology shaped by the dynamic interaction between artificial and natural systems.

By embedding mathematical models found in nature, the algorithm acts as a bridge between digital data and the structured complexity inherent in natural forms. The generated landscapes are not arbitrary but emerge from a coded logic that mirrors the underlying structures of the natural world. The process suggests that technology, often perceived as detached from nature, can instead become an instrument to decode and reinterpret its fundamental principles.

The pen plotter, a mechanical and inorganic element, plays a crucial role in this dialogue by physically materializing the generated imagery. In doing so, it renders tangible the formal and conceptual language shared between nature and technology, reinforcing the idea that artificial and organic elements are not in opposition but rather part of the same interconnected system.

E.M.S. ultimately proposes a vision in which the boundaries between the artificial and the natural dissolve, revealing a unified perspective where all elements exist in a synergistic relationship. By exposing the hidden presence of electromagnetic fields—forces that surround and interact with us constantly—it suggests that everything is part of a single, coherent entity, where all things are connected, and all things are one.